Sushant Singh – Burning Brighter than Bollywood

Sushant Singh: Burning Brighter than Bollywood

By: VM, #wordvm
July 1st, 2020



       #justiceforsushantsinghrajput   #justiceforSSR   #CBIforSSR #CBIenquiryforSSR

 “May lord bring peace to his soul, his loved ones and his wonderful, absolutely wonderful, such loving and passionate fans… Just like him in true image…”


At the onset, I want to say that I resisted from drafting my views. But, there is something tremendously beautiful and abysmally tragic about Sushant Singh Rajput. It compels you to come out and reveal yourself. You don’t know him, but something keeps pushing this energy in your gut; up towards the universe. You are battling, but eventually, you have to reveal your emotions about him. The more I read about him, the more I realize that he had a beautiful mind and was a beautiful human being. He was probably too bright for Bollywood. These may be my personal views over him, but I know that I do resonate with millions today. The fire and shock that rose up on the day of his death, hasn’t settled down in all of us. The fire is persistent, why? Maybe because there is something terrible, something grotesque, some monster lurking in those concrete jungles of Bollywood and the art industry at large. One of the few remaining good men faced it and got sacrificed to altars. Probably, to shake us out of complacence and make us stop to think and act –

“Bollywood is the only industry where they can make anyone a star, or a roadside struggler to become a Hero.”

This is a famous cliché proverb, used in Bollywood time and again. I think this is the root of all problems. When a group of few are peddling this drug of abstract hope and pathways, things are bound to stay centralized in few men. It is an instrument that has a huge potential for systematic exploitation. Too powerful to trust in private hands and hands of few.

Is the path broken, is the system broken or is it purposefully left that way? While the most perplexing professions and most niche fields have a set professional pathway with the onset of the 21st century. Why are some professions such as these, left to the mystical journey of each and to his own?

If the road to el-dorado or the city of gold was discovered at the same time as Bollywood or when Indian music industry took its first flight – Am sure there be more processes, standards, regulations, and purview of transparency guiding an excavator to where the fondest of hearts go lurking for the ultimate. Even if it is madness or maddeningly tough, every madness has a method.
How many Sushant’s have to be ignored, left out, die or go back home broken-hearted, perplexed about themselves, and about their own fate at the sudden death of an otherwise growing career. Since when is hard work and talent not enough in any industry in the world. If an industry keeps proving the same, and few and far, rather once in 30-40 years a commoner rises to fame; it is an indication of the rusted bridges and broken roads that are left as traps and mazes. They must be demolished to make the new ones.
Now, it feels even those few and far ones will be crushed through organized chaos and robust, well-set conspiracy templates. These are some of the questions that will stain our minds for years to come and remain to be solved by many. Those many are yet to start their journey or hit their professional peaks eventually. These questions are inescapable – whether you are an audience, professional, or a collective conscience of the nation as a whole. Keeping silent or acquainting to ignorance is not a great strategy.

This precedence creates the mafia, admitted to by many insiders on media records. Then why is there no suo-motu action by the governments? This laughs us in the face, this salutes and strengthens oligarchy, and this holds the growth of art in a nation and modern world, almost at ransom to the will and fancy of the few powerful men; hiding behind the veil of custodianship. The debate is not whether Sushant had the right amount of emotional quotient or not. It is about how the fingers point to the sufferer of the system and not to the system itself. Till when will we romanticize with the broken pathways to stardom, why is there a need to poeticize the poverty and misery of struggling artists? And the few incompetents, who stand on the other side of the island laughing, while holding the only little boat and ropes for mooring to the destination on that island. Probably, the only mercy falling from their shrewd and silent lips, are to the demise of the generation heartthrobs like – Sushants, Jiahs and Parveens.

Professionally, a person like Sushant Singh Rajput can shake any superstar out complacence. It can happen just by taking a review of his silent and passionate work ethics. His work, his aspirations, his dreams speak volumes about him and explain his multi-dimensional personality. Clear to even those who never followed him or watched his films.

There has to be an undeniable truth about this person, which makes the yearnings for him persistent with all of us.
“The truth can never be insulted or pawned. It can only rebound back to destroy the false narratives.
These false narratives are personified in the form of the sub-standard cliques of men and women at the helm of the situation. Why are we so emotional, what is this agony?
Somewhere the truth rises from within and sticks to the roof of our throats. It needs to come out. It is only appalling of media, why an issue that deserves the best of investigative journalism and reporting, has been reduced to the indifference of men, who are only bothered about TRPs and sensationalism. Respected professions like mass media must never be a slave to money and limelight. It is an integral pillar of the nation. Anyone who chooses to do that is losing an opportunity to carve his name in the immortal wave of national contributions, against petty and short-sighted gains. The media must also take a revolution from within and criticize the rots, rise up into their oaths, and save the day.

I can say this without any doubt, that a person such as Sushant cannot commit suicide. He has too much to chase, too many dreams to fulfill, and too many scenarios in life. He was a man of science. A man of science deals with scenarios and knows that there are many aspects to a problem and many kinds of solutions to a situation. The narrative that he was depressed and suicidal, is too simplistic. Probably, one of the blunt and vain attempts by the mediocre and scheming minds of Bollywood. It reflects in their crude explanations about his death. The Sushant Singh Rajput murder mystery is the biggest case of Bollywood and one of the biggest in the nation in the 21st century. There is something so personal about this case for all of us, that we want the justice and punishment with furious anger.

‘Injustice anywhere is a threat to justice everywhere’ ~ Martin Luther King

Some thoughts have come to my mind, which I would l like to share at this forum. It is for all of us to introspect and then decide for ourselves. Deciding for ourselves is even more important than making noise or creating a buzz. So please attend to the below:

‘Our conscience is the highest court of Justice’ ~ MK Gandhi

  • Focus on the movement: Do we want to give a shape to this movement or perish into abstract noises that fade away with time. The reason being that the antagonist is powerful, it will persist. We must understand that this battle will not take months but years. Are we ready?
    The effort and commitment by everyone needs to be persistent towards seeking justice for Sushant Singh Rajput.
  • Implementations-

Are we using too many hashtags, do we need to fix them to a few and spread them across the board towards a focused hammering of sleeping authorities.

Do we want to make noise, or focus on specific truth and trust on loud, repetitive voices over it?

What is our objective: Solving murder mystery of Sushant or ending nepotism in Bollywood or destroying star kids? These three are different – the first one is specific, the other is an issue of society and the third one is a personal attack or a debate of ‘inequity of rich’. We can only solve one at a time and we need to focus and refrain from indulging our fondness to troll or solve bigger issues. I think we should stick to the murder mystery of Sushant. If that is solved, other large and subjective issues will be positively resolved.

What are the facts?: If anyone wants to read facts, is there a single consolidated universal document that someone can read in 10 mins and know everything about Sushant, if not then let us create it.
It must include prima facie of the case and compelling arguments. Or are we relying on the mercy of few platforms on social media, interlocutions, gossips, and media to survive them in refractions of subjective views through a fading prism of time and deliberations? Let us collate it before the wave dies out and the sand is scattered to various dead pockets of the internet.

To whom are we appealing? : We must remember, we are dealing with an organized cartel. The funding, producers, directors, group of actors, powerful families, money cycles, paid glamour and mainstream media, and sections of public enforcement and machinery, including mafia, even doctors and hospitals as alleged by many. It’s a super organic cluster or a super monster that personified in the form of modern networking or nexus of a few fallen beings. One must know, monsters can be of various forms – it is not always made of teeth, horns, groans, and grotesque faces. Sometimes, it is made of smiles, selective and strategic silences, false narratives, and a lot of pretty-looking faces. It is the whole shebang of money, influences, mobsters, and paid media narratives. We must not make the mistake of underestimating the powers of antagonist.

“ never underestimate the evil and greed of other men” ~ Scarface, Al Pacino

Mass platforms: Our sources can only be –social media, Facebook live discussions, personal platforms, robust public appeal systems: Written complaint to PMO, email complaints to official email addresses, twitter hashtags, Facebook hashtags. Just remember, that official complaints, official email complaints, letter complaints are formal processes and they can’t be neglected in a public system. We must squeeze the juice and make use of all such things available to a commoner.

Personal links: Do you really feel for Sushant? Do you know anyone in your family who can help to fight this organized monstrosity in the art and craft industry? Can he or she help you connect with the right people? Do that for divine good.

‘Fame has fifteen minutes of half-life, infamy lasts a little longer’

  • The larger purpose: What will the justice bring? What will the cussing and downfall of the targeted actors bring? Will it bring back Sushant? All these three questions seem important right now, but from the larger purpose, there are many bigger questions to be answered –

If someone bright, popular, prominent can be supposedly murdered followed up with an opaque closure to the current status. What is the value of the life of a common person in India or someone walking on the street next to you? One needs to feel safe on the streets and live with a ‘right to life and security’, a sense that justice will prevail if tomorrow someone rich and powerful commits a crime against anyone, which may even lead to a loss of your life. If this answer is not solved or grieving millions are not satiated, then the issue has eroded the assurances in the innate fundamental right of national citizenry. One accepts the state of being a common person, but needs to be treated equally before the law and has a right to justice. Therefore, in the national interest, in these mentally and physically and psychologically testing coronavirus times, CBI inquiry with an unwavering leader of the case is a must to bring a glass-like transparency.
CBI inquiry is needed, the case does have a resonance and characteristics of national interest and by definition, the people are the nation, both terms mean the same here. Therefore, it is for the people, demanded by the people of the country. If the government keeps ignoring the plea for CBI inquiry, it will only bring more depression into the minds of young and furious masses, already burdened by the abysmal situations, poverty, unemployment and so many things failing in their aspiring life within an aspiring nation. A purpose that feels as common and needful as this, can aid some manner of hope and empowerment into the life of masses. There is no mistake, it is the voice of common faceless masses, who refuse to die or succumb into the silhouette, refusing to muzzle out or die the death of ignorance, Against the man-less inhuman, deaf and deserted corridors of shrewd and powerful lobbies, that represent the worst of capitalism and social inequity, while keeping to their dapper, makeups, diamond smiles and well-made hair.

  • Revolution starts from the mirror: Look into the mirror, tell to yourself if this cannot happen to you, or to anyone you know, or anyone who has hope to be someone in a higher state of citizenship. If yes, then how can one tell the posterity- to follow the path and see an example? Does one see it in distanced or a deserted road stained by the crimes of rich?
    Face yourself, if you do want to change that for posterity, or will you let go of the hands and the innocent hopeful fresh eyes that see horizon farther than you. If you feel like acting towards the cause, you must act rightfully and righteously. For their sake, to whom hope means everything. Hope is the essence of soul and a fundamental reason to live. It is the spiritual driver of all things. At all times, we must have hope to succeed against odds, prevail under most abject circumstances, perseverance is the passionate story that we tell kids when we teach them in schools, coach them in fields, train them to rise up and achieve greatness. For the sake of that hope and to restore it; is of utmost importance. It is a treasure that we cannot afford to deplete.
    As a nation, we can only prevail and rise, with an environment of hope, that any faceless man from the silhouette can rise from nowhere and reach the top based on hard work and the ecosystem that supports it. The great Indian dream.
  • Duty as an audience: Why are we cussing superstars? Their mediocrity? Their star kids? Who has made them gods and heroes? Etc. who has made them the king of modern times? Who went to the cinema halls by keeping the minds and judgments at home? Who gave away generous reviews to a substandard film? Who spends his hard-earned money on something that is not worth watching? Who is no more seeking quality in cinema and compromising? It is WE!
    The problem starts and ends with us. Without an audience, bad artists cannot prevail despite bought our cinema halls and obnoxious and repetitive advertisements. How many people actually followed Sushant when he was alive? How many actually followed his work, supported his films, choose a cinema hall or theatre for his movies than the other junk they plan in most other multiplexes? How many of us were ignorant to him and other brilliant artists and are constantly drooling over the skins of model turned movie stars, ex-porn stars, and two-dimensional actors.

“Do we earn the 150 Rs by leaving the brains at home? Then why to leave it at home when it comes to spending them on movies? “

We need to support right artists, quality actors, great films so that the kids and posterity can grow into better ascending art forms and cinema, and get out of this mediocre staunch of current times; the sub-standard junk that is leading our minds and collective conscience to a trash bin. It exists in media, movies, and television. This trash bin will influence us and our kids to become second grade, side effects like products of western trash cultures and perverted mindsets, dissenting for noise and not the meaning, vocal but not wise, debate loving but short-sighted.
We need to take the arts and crafts industries in the nation to the cleaners. It is an innate instrument of national image, national narrative and it must be nurtured carefully, and most definitely must not be left in the hands of incompetent fools. Its high time government starts seeing arts and crafts and music, as an integral essence of the idea of nation and must regulate, intervene, nurture, and watch it grow in the right ecosystem. All in all, it must come under the sunshine of lights, the light which helps grow all the other national sectors and men and aspirations, in the right and transparent manner.

‘To remove the fungus, just bring it under the sunlight and it will naturally fade away.’~ Mahatma Gandhi’


  • Is the fight against people or a system: Are we really fighting against some producers, actors, directors, or a system that helps them prevail? At the onset, right now we only want to find the granular truths of Sushant Singh Rajput’s murder mystery. However, in a larger purpose, this case will also shed some light on the system of things. Someone may ask, why Bollywood? Why not politics? Why not other sectors? Well, the answer to this is pretty simple – Every crime, every stink, and every evil has a limit and it has some indicators. From time and again, we have been hearing isolated incidents, stories in disarray. This one incident has hurt the sunshine and truth of cinema – a remarkable young actor. The monster was desperate, it was arrogant, it was uncaring, and it got away many times previously. It came out of the shadows where it stays under a veil that convinces most of us that it doesn’t exist. It came out for Sushant and snapped his pious soul. This monster here of course is a metaphor, it can mean the situation, a group of people, organized mafia, or the psychological or mental assaults that no forensics can measure. The whole thing leads to the loss of Sushant Singh Rajput. Whom I will refer to as an element of holy fire. I say holy fire because he forged it out of his – sheer brilliance, creativity, hard work, honesty, long process, and innocence towards the sense of his craft. Just like the Draupadi vastraharan in Mahabharata, it will an inflection point for the arts and crafts industry in modern Indian history. This has to stop and tables need to turn towards the goodness. The kingdom needs to be cleaned and those who side will evil need to be removed. The lord’s kingdom has to come, replenish and invite the peacocks of arts and crafts to re-populate it from scratch. The revolution must begin. I will leave you a poem of mine for your afterthoughts –


The revolution - Poem




Aeke’s journey of hip-hop culture

I sat in the busy hours of ‘diamond café’ – paharganj , Delhi with akash khandelwal a.k.a. ‘aeke’, as he was given this popular nickname in the underground hip-hop community of Delhi. He would ponder over my question, wearing his ‘d2bx’ crew t-shirt, awaiting his tea and butter toast. After giving a time of thought – he came up with an interesting way to explain his current state of mind, about his pursuit of culture and current interests,

if you’re at a bigger turn on life’s road, you may sometimes feel that you’re on a straighter path”, he said.

Akash khandelwal /‘aeke’, at the young age of 24 has been part of one of the first breaking crews from Delhi. In past five years, he has been actively involved in spreading the underground hip-hop culture through events, blogs, orkut, facebook pages and (now) his brand new website-‘one circle world’.He is a pretty silent guy for his age, probably at peace with himself and his passion for hip-hop. he is fairly tall, with spiky –haircut, an athletic built. He attires himself (usually) in loose jeans, slogan t-shirts and looks brighter even under the lamp shade of our resto-table. His very first impression would be a sharp-face cut, eyes full of lively thoughts & a great presence of mind. Even after writing his quarter life journal along the lines of pioneering his greatest passion (hip-hop culture), the spark to excel and the hunger to know more is everlasting.

opening @ Smoke Jam at Snoop Dogg New Delhi Concert 2013

opening @ seven to Smoke Jam at Snoop Dogg New Delhi Concert 2013

Why do you advocate the importance of knowledge in underground hip-hop community?

he believes that for an artist, the fifth element of hip-hop (knowledge) is the ultimate inspiration for creativity. There have been two schools for an artist since long, the commercial grounds and the underground. The former has everything to offer a young and promising career-a stage of fame, success, but it is ephemeral and destroys the journey of an artist.
“artist should always be confused and in constant turmoil, else he’s not an artist”, he said.
“These commercial forums destroys the natural process, everything is easy to be- fill a form, perform and ask for votes, get some money? But is that helping him in his long run or just a short burn of falsehood”, he said fervently with a shrug. I felt that his assertion about these two paths was simply true. he continued to explain that there have not been many genuine emcees on the world stage of hip-hop since 90’s, Eminem was among last ones who talked about the current scene. Therefore, an underground movement is necessary to preserve that balance & dilute the toxicity of commercialization into this art. The artist should constantly ask himself about what he desires out of his passion and then let himself loose, every single time. However, few among many choose the longer & difficult process. “The hunt for security has died with commercialization”, he said, quoting from his own bag of one liners .

aeke snapped@chilling with- With RedBull BC World Champion - Roxrite

aeke snapped chilling with-
RedBull BC World Champion – Roxrite

Can you recall your first inspiration in this journey?

On my constant dwelling about his first inspiration, he recalls that his first influence was probably the ‘WWE Aggression’- cassette in the year 2000. where he got influenced with the composition and voices of famous artists-‘the method man’ & ‘run DMC’. However, he did not totally understood them from the hip-hop point of view but they had a powerful association with his thoughts. Following an year later, he got obsessed with the lyrics of the famous Eminem song, ‘cleaning out my closet’ and even got inspired to write his own raw-rhymes, free verse poetry. For years to come, he followed the post -Eminem era, the likes of 50 cent- which glorified a gangster’s life, romanticized violence and ghetto brotherhood & the pre-Eminem era, the work of dr.dre,which was mostly the fillers in the songs.

snapped @ work dj OIC -one inch cut with two turntables.

snapped @ work
dj OIC -one inch cut with two turntables.

How did such music engaged your curiosity into hip-hop’s backstage?

“there was a various artist collection-work by VH1,by the name of –hip-hop culture, I totally remember listening to 2pac’s ghetto gospel”, he said. This was probably the first time when he had been inspired from a song which talks about the social issues of the black & their community. He tried to dwell on that inspiration by dissociating from the decorations of the hip hop culture and started his search to find the true elements.

You always talk about “the roots”? what is it? & what is the turning point of your journey?” I asked him, sipping through my ginger tea and scrolling down the food menu.

It was eight o’ clock in the evening and I was really starving. He nodded & started explaining, that even though he was experiencing free-thinking and exhibiting iconoclastic behavior, he felt bonded due to the added pressure from his family. Going to kota(2006) to prepare for engineering college entrances and then pdm-college, Bahadurgarh (2007), to study mechanical engineering – were the most significant of all events.

At Adidas Orignials Jam , Amity University 2013

At Adidas Orignials Jam , Amity University 2013

The former– helped to seclude himself from un-wanted pressure and dwell into his own mental horizons. The kind of groups and people he interacted with (in kota) ,always focused their communication on the lines of knowledge about things & he draw a parallel- that it is imperative for an artist in any discipline. This really helped him in his introspection and as he said it, “my hunger for subjectivity”, throwing another quote from his bag of personalized snippets of artist’s (his) diary, written over & over through his inner mental turmoil.

The latter– offered him with a completely contrasting culture, a rural environment & a college infested with pupils/ideals of a backdrop society – where the urban wear & fancy hairstyles were literally mocked. he got insulted at various occasions from the administration, colleagues,locals etc.
“it literally dragged me away from the decorations of hip-hop & inspired me towards the non-flashy aspects i.e. my thinking about hip-hop”, he said, he paused then burst into a laughter, recalling some funny incident of his verbal dispute with a haryanavi student on his appearance and clothing. Following those events, he left high-branded clothes & materialistic expressions and aspired to living authentic.

It was about nine o clock in the night, and the chit-chatter of a foreigner group at the nearby table, was really making it hard to communicate. I had to be loud and frame the most important question.

how did D2BX crew come to life? what’s the story?”,I asked.

He ordered for another butter toast and a glass orange juice, returned the food menu and paused for a moment, then started filling the gaps,“there were a couple of guys whose interest was dancing but they knew nothing of it, himanshu and rishi (now a famous popper) were among the first initiatives, to others it was nothing more than ‘uchal kud’ (jumping jack) dance”,he said and laughed.

They made a breaking (now popular as bboying ) crew when all colleges (delhi & NCR ) were following Punjabi bhangra, western style, co-ordination dance forms, etc etc. .Theirs’ were the mechanical wing of the engineering college, an all boy group and it was brand new. it caught everyone’s attention and it completely rocked. “I still remember, it was towards the end of 2008,our first performance as a bboying crew was in lingayas college,Faridabad, it was a great experience”,he smiled.

D2BX CREW - 'the four color theorem'

D2BX CREW – ‘the four color theorem’

However, the journey of the D2BX crew had not been easy. “what does it stands for?”I asked.

He said, “its simply Delhi to Bahadurgarh express, because I got all my ideas while travelling to college”. I couldn’t ignore but appreciate the clarity of his thoughts in naming his crew & then drilled him further on the narration.

Please talk more about your experience with this group?

He narrated that it was mostly lot of internet searching, event participation, show performances, watching old videos, torrent downloading. In one way, they stood out from other evolving groups as ‘aeke’ believed & focused on developing the individual crew member ,then taking the elements along with their understanding. however, they were disappointment as they were mostly losing in places they anticipated victory.

“there were people who were making egregious errors, mixing Punjabi songs to breaking or picking up commercial tracks for ciphers (the circle formed by audience where the crew on crew dancing battles take place), we took our songs with extensive research, like ‘is just begun’ by jimmy caster bunch is a 70’s classic breaking track, but in 2009, our 2rd year performace , the judges disqualified us for not using a hip-hop song!!! clearly it was those times when judges didn’t completely understood the culture or themselves had no real association with it”, he said in a confident tone.

How did you guys do with all those ridiculous odds?, I interrupted him.

He paused then followed with my question. he explained that this was the point where the D2BX crew turned more iconoclastic in their behavior and started seeing it in every aspect of their life, whether the college education system, populist views, Indian parenting methods, social and fashion trends, music. It was one of those phases when hip hop was re-routing and breaking through their deep-rooted establishments and renovating them for a change. They started their search for the wider scene of this culture in india and travelled to different places to perform/ attend workshops.
“as mentioned in one of bruce lee’s movies, enemy is an illusion, destroy the illusions- social trends, outdated norms, mugged understanding of things, enemy will be destroyed”. he quotes.

Is there any group u looked up to in your dancing years?

“the scene was really prominent in Bombay unlike Delhi and we were really inspired by ‘freak n styles’, one of the first Bombay crew, lot of solo artists hanged out as crew in events but we were the first ones to officially declare ourself as the bboying crew, one of the first in delhi,then things took on very fast in two years”, he said.

With Legendary Bboy Gadget of the Boogie Brats Crew 2011

With Legendary Bboy Gadget of the Boogie Brats Crew 2011

How was the competition and evolution among groups in the evolving years of the community?

Lot of groups created sensation with their new moves – windmills, flair, headstands, double hand stands, even a little advancement by one group made a world of difference to another. The passions were really high and the stage was ever-ready.The first biggest event was ‘the crank dat’, dce, delhi, where D2BX won the solo popping title and were the runners’ up ,they were beaten by tandav crew. The rock fresh crew ( a crew of ex members of freak n style crew) had also participated in the event and won the event. This was the time when the real Hip-hop movement that had taken off in india.

“why just hip-hop?why not dubstep? Or progressive music.?is there a particular reason”,I asked.

he smiled and said, “I don’t really know the ‘why’ of it, maybe I could relate to its energy and the emceeing part really hooked me in.Its mostly about thinking stuff in mind and writing it down in your diary and then telling it to a gathering on an event. (He firmly stated with hand gestures) it is imperative that an emcee should have the power to hold the crowd and make them interested, but most importantly – he should spread the knowledge, I relate to it and it gives me peace. simple”.

Meanwhile, in my head

I understood his reasons completely. If I could revise my facts from my previous investigating with ‘aeke’ & his cultural get-togethers – hip-hop was build on the foundation of peace, love, unity and fun, ‘aeke’ was in pursuit of all four. The hip-hop culture has five main elements- knowledge, breaking, emceeing, djing, graffiti.

[It is unfortunate that the concept of all four artistic elements co-existing in a community event is fading away. It’s true that Emceeing was the most important aspect as it lead to the spread of culture and live recordings, which made it sellable and popular but it also contaminated the art by over commercialization of recording companies]

how do you see yourself in this journey and what’s next?, I asked.

He said, “its very difficult to summarize, I have gone right from fighting 8 bar (16 lines) rap battles on orkut communities to interacting with local emcee’s of delhi and finding my own place, I have seen the high and low of my involvements, as my group got diluted after 2011, so I secretly started a community page – Indian bboying news (1900 members) to hold the Indian roots and bare the false claims of people claiming to be pioneers, or militating against foreign national amateurs – who were trying to establish themselves as professionals and starting their own brand of culture. I did that by posting contradicting videos, scandalizing stupid/false stuff just for fun, then later in the year I organized one of the the biggest jams –‘crank dat 2012’ and now I am working on my newly build website-‘one circle world’ (currently 800 members on community page), which will serve as a wall for all worldwide events happening in our underground community. I have grown with it in time, to me underground hip- hop culture is simply taglined as –“art is expression’.thats it”, he concluded.

aeke With world champion - Bgirl Shie Chan at Crank Dat 2012

aeke With world champion – Bgirl Shie Chan at Crank Dat 2012

[Right now, ‘aeke’ spends his time in understanding colors, as his new bend is towards graffiti art. he believes that being an artist is just a continuation of trial and errors. sometimes you have to go out of orientation to search for all possibilities and then achieve an upper level to arrange them on a later stage in life.”let loose”,he quotes.

“when,why,what- I don’t know, I am inclined towards knowledge and right now I have broken the barrier of genre, I am just in search for ways of expression, right now am studying Rajasthani style of paintings and Mathura style, let’s see what else I can put my hands on to understand painting better”, he said.

’aeke’ has taken his journey from expressing energy in bboying/breaking, emceeing to tell the truth and spreading the culture, to organizing and networking the events and for the time he will wander to search for his curiosity about graffiti art. These may be different phases but hip-hop has allowed him an ultimate movement for the soul like so many others in this community.]

me with aeke @from the roots: graffiti of afrikan bambaataa by dj OIC-one inch cut

me with Aeke 22nd april,2012 @from the roots-2012′ ,saraswati dance school,delhi.
graffiti – graffiti of afrikan bambaataa by dj OIC-one inch cut

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One Circle World

One Circle World

cover story: aeke's journey of hip-hop culture.

cover story: aeke’s journey of hip-hop culture.

check out similar web pages -1. introduction to hip-hop ,2. additional info. page.



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by: vishu mishra