Starry Starry Sky

starry sky-1

I

Like a garden of roses,
she blossoms in fancy.
Though silence & solitude,
it wilts her away..

Like angels of hush,
wind sings some metaphors.
Entwining our guts, in impossible to say..

Entangled so I , beneath the open sky.
Untraversed by darkness,
but these starry sights..

I yearn and I sigh.
Beneath starry starry sky.
Entangled yet I , in my metaphors..

I sigh and I try.
Beneath starry starry sky.
I burn till until , like a firefly..

II

You the sea –
be so vast and so paranoid!
& I tread through these guarding waves,
in moonlight..

Them curse like beamings.
world talk such seemings.
It conjures & consumes me..

Shall we assume & then be doomed.
shall be over our entwinings,
Before eternity and yet so soon…

Conspiring are its waves,
and the silver of moon.

Yet foolish so I,
with my hopes fluttering high.
& the slivers from my sail & the sinking sighs..

Yet untraversed by rage,
but starry sights..

I wither and I wry.
Beneath the starry starry sky.
I most but almost ,
with my anchor stuck at coast.
Now I curse the anvil, with a shallowing deny.

III

We fold and unfold, in our bubble of gold.
Caressing our fears and our feebleness..
We blossom with despite, in this starry starry night –

In that garden of rose,
I plucked , the purple in prose.
and Entwined our hearts,
in our mortal morose.

I yearn and I sigh,
Beneath starry starry sky.
Entwining our eloquence,
in immortals of metaphors..

I rhyme and I write,
Beneath starry sky tonight.
Untraversed by darkness..
But reaching & raging,
to our brightest starlight..

Vishu Mishra | Zoo-Poems | 16-08-2016

The comedy of egregious errors

Starry Starry Sky

Comedy nights w̶i̶t̶h̶ ̶k̶a̶p̶i̶l̶ live : A comedy of ‘egregious’ errors.

 

comedy nights with kapil a.k.a. cnwk

comedy nights with kapil a.k.a. cnwk

‘Comedy nights’ show has gone to dogs. Period.

This post is all about  the angst against the duffed up entertainment with the change of hosts.

 

comedy nights live

comedy nights live

“If the skin were parchment and the blows you gave were ink,
Your own handwriting would tell you what I think.”
― William Shakespeare, The Comedy of Errors

Yes! I have invoked Shakespeare to deal with this burden of viewer agony. I have borrowed this plainly without reading the eternal script  and it doesn’t take a genius to understand its (the quote) meaning. That is the whole duffing point. In times of such high needs (in India & around) for good humor, even normality or un-originality  can serve much better than profanity.

Egregious Errors

  1. Bad adaptation : –

1a) Background on hosts – There are three visible stars, as seen within the ongoing timeline of the show i.e. Krishna, Bharti & Sudesh Lehri.

 

Bharti & Krishna

Bharti & Krishna

Krishna is a dancer wannabe superstar and a half-committed comedian. He seems confused between his propensity for stardom & his sustenance as a comedian, that is just a stock act to propagate his career & chase his fonder dreams. He is erring like a broken record with endless & untimely tributes to Govinda as a show filler. His real personality as an interviewer is amorphous & confusing at best.

e.g.  He referred to the glasses of Mika as an attempt to look smart without having an onstage presence, that the honorable guest i.e. Dharmendra was also wearing one! It was ironical at best, as the segue was just about finishing with comments by Dharmendra, i.e. his mantra for youthfulness at the age of 80. It was dealt away with a smile & a comic response from the maestro actor himself.

Krishna clearly came across too green on the show’s turf & lacks ability to co-ordinate interviews, also without having any grasp of outstanding improvisations such as kapils’. The genius of kapil is, he did all of this within the limits of comic license while also maintaining the decency of show & dignity of the guests.

Bharti is a loud-mouth pseudo  comic, she derives slapstick humor at expense of others & demands emotional support on being the only noticeable female comedian in the industry. Her humor is clearly insulting many a times (even to most dignified guests e.g.1), it is downright profane & falls hard on the audience at most times. The periodic laughter that the in house audience generates, is almost like a punishment of compulsory humility & a taken for granted largesse by all of us, the humor deprived people. All her acts are an uncomfortable reminder of our sorry situation with limited options on comedy shows.

e.g.1 – At  today’s show end she refereed to the star trio as – “ye log itne velle thodi hein ki yahin ruke rahein” ( these people are not so useless to stay here for you (people).

There was a momentary pause from the 80 year old maestro Indian actor (Dharmendra) to her comments & it felt harsh even by  the most un-orthodox hosting standards. There is a clear lack of comic class , improvising intelligence, sensitivity towards guests-audience dynamism & basic understanding of show’s concept. Personally i think, her on-screen presence is hell on my ears & makes the situation awkward within the purview of family viewing. It is simply an agony not entertainment. I am a viewer i.e. a customer to their TV show business &   i am expressing my ire over it.

I can only say that i am sorry (but not giving or granting) for all of them. If they have the audacity to resume hosting of the best comedy show without matching to its quality. They have opened a Pandora’s box of abject criticism & they must be ready for it. I feel they have robbed & mocked us on something, which had turned the part of our Sunday nights.

“If she lives till doomsday, she’ll burn a week longer than the whole world.”
― William Shakespeare, The Comedy of Errors

Sudesh Lehri is the only genuine stand up comedian in this rag sack. He is fully committed to being a comedian & it is reflective in his demeanor. However, he is not burdened with the center spot & his credit is usually painted over by these broad stroking limelight hogs. Just like any true comedian, there is this tragedy to his art form.

Sudesh Lehri

Sudesh Lehri

“A rose by any other word would smell as sweet” (what is there in a name?)  – William Shakespeare , Romeo & Juliet

1b) Falsely Adopting a prodigy : Comedy nights with Kapil is a groundbreaking show. It is a super-hit not only in India but internationally sweeping TRP’s across all major nationalities. The recognition of an Indian comedy show as this is unprecedented! It is simply an intellectual asset of the TV world & pride of our urban heritage.

The (above mentioned) three stooges have assumed the lordship of this screen-house without much intelligent thoughts to its audience & format. The demand of show is simply this:

  • Clean & crass free comedy.
  • Outstanding improvisation as an add on.
  • Suitability to family viewing i.e. suitable for all age groups.
  • Genuine public interaction & their extempore contribution on stage.
  •  Good hosting with dignified treatment to celebrity guests.
  • Insightful & fact based interviews advancing fan-star relationship.

However, the stooges are doing the usual mistake of running with roasting humor & the comedy of profanity. It is their staple & familiar comfort zone but it is a disgrace even a betrayal to show’s tradition. It is done at expense of guests & even falls too hard on the ear of the  organic audience.

2) Who is hosting the show ? : The hosting & interview is a split between the hogs i.e. Krishna & Bharti. It not only breaks the continuity of the show but also leaves the viewers in confusion. Conceptually, the show revolves around a celebrity interview & everything else is an add-on. Until the image of a center stage host is fixed (ringmaster), no act can be profoundly build around it. I cannot remember even one single successful TV interview show in past/present, with changing & unsettling hosts like this one. It gives an impression that the centrifugal drives are missing or too  unsorted in their stage script.

Further, the hosting part is generally taken as an organic interaction with the celebrities & the lesser known facts from their personal lives are brought to notice. It is only logic that the interviewer must hold up his end as a real person & his personalities or characters can pop in as cameo. Kapil did it by introducing other comic talents as secondary add ons. Here, Krishna & Bharti are in characters even while conducting their ‘less-interesting’ interviews. While on stage, their characters cannot be switched & often we see dolly speaking as krishna & bharti verbally switching with a he/she tone. It is simply too chaotic & doesn’t build up on the dialogue segment!

3) Interacting with people is missing : It is a people’s show and so what made kapil sharma a comedian of people or a champion of people’s voices. Neither Krishna nor bharti have the demeanor that is inviting to set up a genuine dialogue with common audience. Rather as an observation, their behavior is too aggressive & even intimidating that will inhibit any open & expressive interaction with audience.

No one from audience is willing to dance,hop, speak or act on the stage. Kapil has said it time & again that the impromptu acts by the in house people, is the major reason for show’s success.

By desperately trying to  compete & make a creative equivalence with kapil’s concepts. I think the stooges are killing the U.S.P. & making a bigger mistake in garb of chasing a different route.

4) The great mistake by Kapil Sharma : It is a great betrayal of people’s trust. With no active comic talent hunts in India & not many clean comedy shows. It is imperative that the show must go on with what was working. It is an earnest requirement of the TV world with an otherwise coma state in its dreary milieu. It is even a national duty to do so when the breakdown is so visible & imminent.

kapil sharma

kapil sharma

The show has generated loyalists with a major chunk from the family audience around the world. The unprecedented success & meteoric rise of Kapil Sharma has lead him on false grounds, now chasing lesser dreams. It started with a beautiful idea to entertain people & deviated towards a show pandering to the celebrity creme’ de la creme’, to now an untoward starry eyed chase of a comedian to turn a bolly-wood superstar.

He is chasing stardom as an actor-comedian, while the general public has universally accepted him as a comedian & a champion of common man’s voice.  He is already on the highest ground available to any artist in the world, i.e. a genuine comedian who reverberates the feelings of people. Time will only tell if Kapil Sharma will realize his forte & his ticket to immortality in a world full of – cliches, copycats & hogging performers.

 

 

Thank you for reading. If you like this post then share it with your buddies & spread the opinion, as i sincerely feel that public opinion is supreme. After all, we are at the receiving end of whatever comes out of this brew. It is full of commercial bias that is eating out our free loading entertainment. We must raise our opinions and do so vociferously.

p.s.

I hate it when someone take a plunder on my sources of entertainment & deprives me of the humor, in a life full sober reality.

 

The comedy of egregious errors

The comedy of egregious errors

Junkman's review : Comedy nights live

Junkman’s review : Comedy nights live

I give this new show 2 out 5. how high do you rate it, tell me in the comments.

 

Thanks & Regards.

Vishu Mishra

Blog Author